KADO: The Way of Flowers

Today is Garden Meditation Day. There may not be a holiday more in tune with the principles of feng shui, in that Garden Meditation Day appreciates the need for inner peace and mindfulness and cultivates an appreciation for nature, which we are directly a part of. In honor of the holiday, I'm happy to share my experience with a very similar practice known as kado. 

In her book, Heaven and Earth Are Flowers: Reflections on Ikebana and Buddhism, Joan D Stamm writes: “to contemplate a flower, a natural mandala of vibrant color and perfect form, is to glimpse the face of the divine."

Last week I attended a Spring Kado retreat at a Shambhala center with Marcia Wang Shibata, a Master Shambhala Kado Instructor. Kado means “the way of flowers” and is a contemplative practice of flower arranging using classical ikebana forms.

I am in love with ikebana and Kado practice and use the offering of flowers as part of my meditative practice. This practice brings me so much joy, and I wish to offer to you, my readers, three remarkable things I learned last week from Marcia Shibata and the flowers.

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Do not expect from a flower that which it cannot give.

In our first arrangement, we were given hosta leaves. This plant has full soft green leaves with delicate stems. I tried for several minutes to arrange my leaf exactly where I wanted it. I had this vision in my mind and I really wanted the hosta leaf to stay in this “perfect” spot. While sitting there frustrated with my hosta, I heard my neighbor grumble. When I peered in his direction, I couldn’t help but giggle. His hosta leaf also had a mind of its own. And although it’s not a flower, this hosta leaf taught me not to expect something from it which it cannot give.

Never compare yourself with others.

After my finishing my first arrangement, I got up and looked at the others in class. I suddenly felt uneasy and insecure. Mine looked busier than the others. Did I do it wrong? I started moving things around in my arrangement, but it still looked crowded. I really started to doubt myself. Marcia came by, and with hesitation I said, “Um, I think mine is too busier than everyone else’s”. Marcia looked at me directly and firmly said “NEVER compare yourself with others”. 

Fragile things don’t open when traumatized.

There were some irises that were purchased for the class. None of the flowers had yet opened at time of purchase. We patiently waited a day or two, and some of them started to open up, showing off brilliant purple and yellow colors. Sadly, there were quite a few that never opened. The flowers remained tightly shut, with dried and shriveled tops. Marcia noted that they likely were traumatized during their travel to us in the US (probably from Holland). She reminded us that when traumatized, fragile things don’t open. It was truly a beautiful poetic statement.  She also said that “like our hearts, each is flower is different, delicate and beautiful.”

In our modern worlds, we have sadly lost touch with some of our rituals and traditions such as feng shui and ikebana. Feng shui isn’t just moving furniture around. Ikebana isn’t just arranging flowers. They are both traditional contemplative practices that teach us how to live in harmony and in balance with ourselves and with the spaces we inhabit.

When you get the chance, spend a little time contemplating how things in your life are arranged. Are they too cluttered? To empty? What you surround yourself with matters immensely, so these practices are absolutely worth the time. 

by Anjie Cho


the WELLNESS WONDERLAND: EPISODE 064 | ANJIE CHO

featured this week on The Wellness Wonderland, by Katie Dalebout

Anjie Cho is awesome. I’m so excited to finally welcome her to Wonderland. Since recording this episode she has become a great friend and she even interviewed me a couple times on her site here and here. She is one of the coolest, kindest, and most knowledgable people I’ve ever met. I am fascinated by Feng Shui, minimalism, and interior design and in this episode Anjie uses her vast experience and knowledge to enlighten us on all of that and more. Anjie is a registered Architect, Feng Shui Interior Designer and best selling author of 108 Ways to Create Holistic Spaces: Feng Shui and Green Design for Healing and Organic Homes. Since 1999, she has been creating beautiful and nourishing environments throughout New York City, Washington DC, San Francisco, Los Angeles, and beyond. There are so many simple yet profoundly impactful tips shared in the episode and I’m so excited to hear how you implement them in your lives. Let us know.


Feature: Mavis Gewant and Yantras

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Based in High Falls, NY, Mavis Gewant is celebrated as a sacred artist, mother, educator and doula.  Mavis studied the ancient techniques of yantra and silk deity painting with the late Tantric Master Shri Harish Johari, serving as his personal assistant for over twenty years. Mavis is one of the few persons in the U.S. with over two decades training in this Sacred Art who was requested to teach this knowledge by her teacher.

Having a deep commitment to supporting women during the most sacred time of their lives, becoming a mother, Mavis is a childbirth educator and doula and founder of Gentle Care Doula Service. Believing that pregnancy, birth and motherhood are a holy experience, she helps women to connect to their divine energy through sacred art and knowledge.

I had the honor of meeting Mavis during a yantra workshop a few years ago.  Yantra practice is my absolute favorite and most meaningful form of meditation.  Recently I had the pleasure of speaking with Mavis about her work, specifically with yantras.  

AC:  How would you describe a yantra to someone who wasn’t previously familiar with them?

MG:  A yantra is a geometric pattern of energy specific to deities and planets. It has been said that they are physical form of a deity, where mantra is the sound form. Yantras give a structure or pattern to energy. They are composed of geometric forms like squares and circles.  Since all cultures have these kinds of shapes, they resonate in our DNA when we see them.  Yantras are archetypal and universal.

“I think yantras are a personal prescription for healing. Whether with a deity or a planet, it is an energetic entity you are working with to heal.“

I understand yantras are prescribed, and that the proportions, colors, and symbols are important.

Yes, absolutely.  Gold is connected to the sun and representative of knowledge. Silver is related to the moon and life-giving energy. Green is cool and about balance and knowledge. Red is hot, fire and magnetic and stimulating the adrenals. Orange is magnetic, cheering, and warm. Yellow is hot, positive magnetic, and stimulating nerves and knowledge. Blue is cold, anesthetic.  Sky blue is calming to the nerves. 

Goddess yantras typically have pink or red petals. Many of the colors have to do with the color of the associated deity such as with Ganesha yantra.  For Ganesha, there's a light orange upward pointing triangle, which is related to his skin color.  The colors correlation is more obvious with planet deities.  The sun yantra colors are vibrant yellows and oranges.

What's the difference between a mandala and yantra?

Yantra is a form of mandala. Both are created within circles, and circles are about creation. When you start a yantra, you have first draw a circle. To make the square, you must again, first make a circle.

Is it better if you make your own yantra, can someone make one for you?  Or can you use a printed yantra?

It's always best if you draw your own yantra. Then you have that connection with the art and the associated deity or planet.  You have spent the time, and when you're away from it you can still invoke it within yourself.  It's also good if someone makes it for you, if they had the intention of creating it for your use. When I make them I really focus on the people I'm making them for.  It is also good to give yantras away and not always best to hold onto them. I did 40 Sri yantras, then went to India and released them into the Ganges River.  

by Anjie Cho

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Mavis’ next workshop will take place June 22 at Sivananda in New York City. She teaches Sacred Painting Workshops worldwide, including a yearly retreat in Haridwar, India. It is her humble desire to help others through this transformational art form and she makes her painting a spiritual practice. Her artwork can be seen on her website:www.sacredmotherarts.com